TheLeftHandSide

Archive for the tag “garage rock”

LongDistanceDan – The Dust Man Stirs

Yes, finally LongDistanceDan’s debut full length album, “The Dust Man Stirs” is available for download.
Carrying on from where his 2015, “The Other Side Of The Sky” left off, the album is a heavy mix of lo-fi, raw beats. Taking influence from raw funk, lo-fi hip hop, psychedelia, garage rock, library music and more, here is what people have been saying already –

“There seems to be some kind of crazy interference on my headset….nope…you’ve tuned into the psychedelic sound of Long Distance Dan. The Dust Man Stirs a pot filled to the brim with eclectic beats and sound textures. Moving between the electronic and the analogue, between downtempo trip-hop and speed psyche-beat. Strange variations found here for your third ear…” Ollie Teeba (The Herbaliser)
“Sounds great!” Boca 45
“Dan’s beats are imaginative and intriguing, you never know what is going to come next!” Jonny Cuba (Soundsci)
“This shits dope man! It’s gotta cool sequence to it, well mixed and knockin. Good drums” Walter Gross 
“Sounds good man, I like those drums!!! Keep the nastiness alive” Psychopop (Skrapez/Gonjasufi)
“It’s freaky cinematic, deep psych bangers. There’s some track I absolutely love, massive breaks, dirty bass lines and a weirdness to it all that’s really cool.” Tom Caruana (Son Of Sam/Tea Sea Records) 
“It’s a dope piece of art” Jason Furlow (New Kingdom) 

The album is fully instrumental apart from two tracks, “Rescue You” which features Icelandic forward thinking hip hoppers Cryptochrome and “After Omega”. A hard edged, garage rock howler featuring Sam Crick, formally of Brighton ska, punk, garage band Wilf. The awesome album artwork is provided by Sun Moth.
The album is out now for Name Your Price download via the Dusted Industries bandcamp page.

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Kaleidoscope – Kaleidoscope

Now Agakalidescopein Records do it once again! One of the great psychedelic rock albums is finally back in print on vinyl in a band-licensed reissue.
It’s roots are in Puerto Rican teenage garage rockers; it was recorded in the Dominican Republic at the high-point of the flower power era; it was only ever pressed in a minuscule run in Mexico.
Now one of the most sought after rock artifacts on the planet, Kaleidoscope is remastered and reissued with an extensive, photo-filled booklet with the story of the band and their album by historian Enrique Rivas Viniegra. Every psychedelic rock fan needs to get a copy of this album, you know it makes sense!

Available now on digital and LP direct from Now Again or for those in the UK you can get your copy from Rap and Soul Mail Order.

 

Fumaça Preta – La Trampa video

Brand new video from Fumaça Preta.”La Trampa” is taken from their awesome new album “Impuros Fanaticos” out now on Soundway Records.

Christophe Lemaire Presents – Can’t You Hear Me?

Globetrotter of parchristopheallel subcontinents and digger of rare, forgotten records, Eothen “Egon” Alapatt tracks sounds from the dawn of time to the four corners of the world. On the other side of the globe, French designer Christophe Lemaire stays forward thinking and audacious in his choices: far from our deified present, he cultivates a love of timeless designs and mixed influences; a passion for iconoclastic music hidden in the dark corners of a global cultural industry.
This extraordinary openness has been at the heart of their friendship since 2007. Their exceedingly eclectic, fierce rock discoveries gave birth to a first anthology, Where Are You From?  (Now-Again, 2010), the fruit of Lemaire’s excavating Alapatt’s archives. That was a postgeographic exploration in psych, rock and funk territories from 1968 to now; this second anthology celebrates their impressionist vision and explores garage rock from the 1970s, voicing the struggles of independence in Zambia, Nigeria and Zimbabwe.
“Can’t You Hear Me” comes from a track by charismatic Zamrock icon Paul Ngozi, a Lemaire favorite. Ngozi’s title track sets the tone for a drastic selection of seventeen songs with rebellious undertones, riddled by an infectious groove, the forsaken writing about a forgotten chapter in the history of music. Ngozi,WITCH, Chrissy Zebby Tembo, Amanaz, Wells Fargo, Eye Q and the Funkees represent a generation fighting for their freedom, armed with fuzz guitars, symbolic objects of a new movement. They played in Fela’s kingly shadow, were influenced by Hendrix’s psychedelic solos, Jefferson Airplane’s penetrating chords and Cream’s repetitive melodies. The music of their colonial oppressors they reassembled and reinterpreted with pure energy, without nod to hymn or flag.
A halo of cosmic design and pure lines, the cover for the anthology by Sanghon Kim transports us in this whirling odyssey in space and time while composer/producer Pilooski concludes the album with an edit of WITCH’s “No Time,” an  xpression of the critical need to open up to new perspectives, new imaginations and to keep unearthing riches of our universal heritage.
“Through these tracks we can feel the communicative energy, this pure vitality, not only of Africa , but of youth and hope,” Lemaire states. “And I find it quite universal and timeless. It is not about music as an industry , or as product , but music as a craft . And one can immediately recognized when music is created with heart and soul.”
Released April 15th on Now Again Records take a listen below.

 

 

Creaturos – Popsicle

After somcreaturose fuzzed out, lo-fi sunshine rock? Well look no further, Creaturos are here.
Cultures of Soul have signed up the band and plan to release their next album this summer, in the meantime the label have re-released the bands “Popsicle” album on limited cassette and digital.
This is a must for fans of Ty Seagull, Night Beats, White Fence and so on, bringing a fresh, scuzzy, psychedelic sound to your ears. Their sound will appeal to alternative rock fans and 60’s rock fans a like. We are digging this release and really look forward to the new album in the summer!

Forever Pavot – Miguel el Salam

foreverI recently found out about Forever Pavot, simply from a friend posting a link on facebook, and after hearing his work, I’m very glad I clicked that link.Apologies for taking this directly from the press release, but they know a lot more than me and sound good to –
Forever Pavot is the solo project of Emile from Parisian psych/prog group Arun Tazieff. Originally intended by Emile as a low-key diversion from the band, two sold-out singles have considerably raised Forever Pavot’s profile and a full album has been recorded for imminent release.
Miguel el Salam has that trademark Forever Pavot sound; beautifully constructed ‘60s psych blended with an irresistible twist of Ennio Morricone and a passing nod to contemporary bands such as Tame Impala and Aquaserge. La Rabla mixes together a Syd Barrett-esque vocal line with stunning fuzz guitar and a dream-like Gallic atmosphere.

The 7″ single released on The Sound Of Salvation label, will be a limited run of just 250 copies on white vinyl with no plans for a repress, so grab it while you can. Or you can get the digital version from his bandcamp page.

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